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Star Trek鈥檚 Half-Century Voyage

Rochester faculty and alumni have composed its theme, written episodes, and reflected deeply on why Star Trek resonates.

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It鈥檚 a voyage that began 50 years ago, on Thursday evening, September 8, 1966. The television series Star Trek, a western for Cold War America, introduced us to Captain Kirk, Mr. Spock, and the starship Enterprise, inviting us 鈥渢o boldly go where no man has gone before.鈥

The show attracted a small but passionate following in its three-season run. That fan base would grow exponentially in size and influence in the 1970s, as a generation of latchkey kids tuned in to Star Trek reruns, a staple of after-school broadcast lineups. From that decade forward, Star Trek grew as a franchise.

Rochester faculty and alumni have made important contributions to the show, starting with its iconic theme, the work of composer Alexander Courage 鈥41E.

Reginald Barclay, the awkward, brilliant Next Generation lieutenant whom cohorts derisively nickname 鈥淏roccoli鈥濃攂efore he ends up saving the Enterprise鈥攊s the creation of Rochester English professor Sarah Higley.

From the beginning, Star Trek has attracted a cerebral sort. It had geek appeal long before geekdom became the badge of honor it is today. We shouldn鈥檛 be surprised, then, to find an abundance of steadfast fans among Rochester faculty and alumni.

By Karen McCally 鈥02 (PhD) with additional reporting bySofia Tokar and Dawn Wendt | Illustration by Steve Boerner (NASA models)

Begin your journey . . .

 
image of a Star Trek score

The Story of a Theme

Alexander Courage 鈥41E
Composer

鈥淚 have to confess to the world,鈥 said the late Alexander Courage 鈥41E in 2000, 鈥渢hat I am not a science fiction fan.鈥

Oh, the irony.

From its eerie first notes, to its arresting fanfare, to soaring climax, the theme that Courage composed for Star Trek in 1966 is among the most iconic in all of film or television.

 
image of a spock figurine

Hope in a Fractious Age

Jeffrey Tucker
Associate Professor of English

鈥淭here was a kind of utopian vision that the show offered,鈥 says Jeffrey Tucker, a science fiction expert who teaches a course on utopian literature.

鈥淎 key aspect of utopian philosophy is the notion of hope. Hope is a forward-looking psychological process, and just the notion that the status quo can be revised and improved鈥 and even, I think my father said, that the species will survive and exist into the 22nd or 23rd century鈥攊n the mid-to-late 1960s that idea probably had a lot of weight. It was during the Cold War. It was the Vietnam era.鈥 And the species does more than survive in Star Trek, Tucker adds.

 
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Introducing Holodiction

Sarah Higley
Professor of English

Sarah Higley was in her third year of teaching medieval English literature at Rochester when she drafted a script for Star Trek: Next Generation. Having grown up on The Original Series, she started watching The Next Generation and quickly found herself both intrigued and skeptical.

Higley was fascinated by the holodeck, which had become a major feature of the Enterprise starting early in the first season. The holodeck was an enclosed room programmed to simulate any environment and create any holographic characters its users chose.

 
image of star trek figurine at panel--->

Detail and Heart

Thomas Perry 鈥74 (PhD)
Novelist and screenwriter

Thomas Perry and his wife, Jo Perry, are both trained as scholars of literature, and both turned to novel and screenwriting as their profession. They鈥檇 been writing steadily for the CBS prime-time television series Simon & Simon in 1990 when they cowrote 鈥淩eunion,鈥 episode 80 of Star Trek: The Next Generation.

 
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What鈥檚 Your Server?

In the earliest days of email, as we collectively marveled at our newly expanded capacity for instantaneous communication, the staff of Academic Technology Services was inspired to name the University鈥檚 servers after Star Trek characters. Which email server were you on?

 
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The Next Generation . . . Voyage to Heterotopia

Aviva Dove-Viebahn 鈥10 (PhD)
Honors Faculty Fellow, Barrett, The Honors College at Arizona State University

Science fiction has often been perceived as the province, primarily, of men鈥攆antasy worlds chock full of gadgets and ultrapowerful humanoids. The irony, says Aviva Dove-Viebahn, is that science fiction 鈥渁llows you to really play with social norms and to buck social norms鈥濃攊ncluding gender roles and stereotypes.

As a teenager, Dove-Viebahn was captivated by Voyager in large part because of the show鈥檚 female lead, Captain Janeway. Janeway 鈥渨as a scientist and an explorer,鈥 she says, 鈥渁nd fully invested in this role without being super girly, and without being masculine either.鈥

 
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Inspired by Star Trek

As graduate students in computer science at Rochester, Rick Rashid 鈥80 (PhD) and Gene Ball 鈥82 (PhD) codeveloped the Star Trek鈥搃苍蝉辫颈谤别诲 Alto Trek, one of the earliest networked computer games. Designed for play on the Xerox Alto computer, the game involved play in a universe of 16 star systems and included spaceships (named Klingon, Romulan, and Terran) and weaponry from the show.

 
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A Physcist鈥檚 Take

Dan Watson
Professor of Physics and Astronomy

Among people in science and technology, Star Trek fans abound. Dan Watson, chair of the physics and astronomy department, is among them.

But that鈥檚 not because the series or films illuminate much about science. Watson shows Star Trek films to his introductory astronomy students to show what鈥檚 wrong with their depiction of physical science. 鈥淎stronomy 102 students learn enough about strong gravity, black holes, and time machines to detect the mistakes, and doing so is a good exercise for them,鈥 he says.

 
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Star Trek鈥檚 Moral Universe

William FitzPatrick
Gideon Webster Burbank Professor of Intellectual and Moral Philosophy

鈥淔rom its very beginning,鈥 says William FitzPatrick, Star Trek 鈥渆xplored themes of good and evil, power and moral corruption, peace and inescapable violence, and racism and equality; and in particular, took up issues concerning the moral standing of wildly diverse kinds of beings, from humanoids to intelligent energy clouds to sentient androids.鈥

Many episodes inspired deep reflection. But one of FitzPatrick鈥檚 favorites is 鈥淐ity on the Edge of Forever,鈥 which originally aired in spring 1967, during the first season.